The artistic avant-garde of the early twentieth century led to a dramatic change in the appearance of painting. It no longer had to behave like a photograph, but it had to tell another story, a new story parallel to natural images, which explained the stylized and "hurried" character of the shapes. Instead of imitation, expressive alternations of textures entered the scene…

… Bright color contrasts, as in the case of these complementary color tones (red-green)…

…Or the almost “mathematical” constructions from the plans that invite the contemplation of the simplicity and beauty in the proportions… as, in fact, the Greek temples did millennia ago.